David Junior Kimbrough (Mississippi, 1930 - 1988) har dette skreve på sin gravstein: the beginning and end of all music! Eg skjønner ikkje den heilt ut, men eg veit det er noko stort, og det er ikkje vanskelig å få med seg om du er villig til å la deg hypnotisere. For det er slik hans egen spelestil blir beskreve, og uten at eg skal rote det til med min uskulerte bakgrunn så beskriver wikipedia det best: In the late 1950s he began playing in his own style, which made use of mid-tempo rhythms and a steady drone he played with his thumb on the bass strings of his guitar. This style would later be cited as a prime example of regional north hill country blues.[3] His music is characterized by the tricky syncopations between his droning bass strings and his mid-range melodies. His soloing style has been described as modal and features languorous runs in the mid and upper register. The result was described by music critic Robert Palmer as "hypnotic". In solo and ensemble settings it is often polyrhythmic, which links it explicitly to the music of Africa. Fellow North Mississippi bluesman and former Kimbrough bassist Eric Deaton has suggested similarities between Junior Kimbrough's music and Malian bluesman Ali Farka Touré's.
